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Experimental and ephemeral proposals in contemporary art: what is the original? | PAULA LUERSEN
July 12, 2015
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Appropriations between art and design in Laura Lima and Rico Lins | DANIELA SOUTO RESING
July 12, 2015
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Virtual Museums and Digital Images Reproduced Content: a Museal Paradox or a Contradiction? | SUZANNE BEER
July 12, 2015
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Un alegato a favor de la copia: la remezcla y la fotocopia como actitudes políticas | MARTA ÁLVAREZ GUILLÉN
July 12, 2015
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"Jacopo Miliani. Parrots". Imágenes nuevas y encontradas | FEDERICA MATELLI
July 12, 2015
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Cortar y pegar copias: Un ejercicio en hiperretórica a través de Google Books | BLANCA REGO CONSTELA
July 12, 2015
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La originalidad como problemática. Tácticas de proximidad al concepto en la cultura de la copia. | CARLES MÉNDEZ LLOPIS
July 12, 2015
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Los orígenes del apropiacionismo: postmodernidad y crítica | SOFÍA FERNCNDEZ ÁLVAREZ
July 12, 2015
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La apropiación: una nueva definición de original y copia | ELOÍSA HERNÁNDEZ VIRAMONTES
July 12, 2015
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CITACIÓN, APROPRIACIÓN, SIMULACIÓN: la práctica pictórica de la década de 1980 y el repertorio de imágenes de la historia del arte | WAGNER JONASSON DA COSTA LIMA
July 12, 2015
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Copy As Creation: The Reversal of the Benjaminian Concept of Aura and the Aesthetics of the Accidental in Rachel Phillips // Madge Cameron's Fixed | SOFÍA P. CALDEIRA
July 12, 2015
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¿Por qué llamarlo Copia, si es Original? El arte de la Copia Original o del Original Múltiple como estrategia creativa | BEATRIZ ESCRIBANO BELMAR
July 12, 2015
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La Copia: Pasado y Presente. Una Aproximación Poliédrica al Fenómeno | SALOMÉ GUADALUPE INGELMO
July 12, 2015
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